From the conceptual to the technical, from preparation to image editing, tips on various aspects of landscape photography.
Short Long Exposures is that an oxymoron?… Surely, the title is a contradiction in terms? How can exposures be short and long and the same time… But I promise there is some logic hidden in the title. And it will become clearer when we’ve examined what long exposure photography is really about. Because the very […]
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The Falmer Triangle – a photographic guide to the South Downs near Brighton Falmer / Woodingdean / Kingston near Lewes The “Falmer Triangle” – a triangular area between Falmer, Woodingdean, and Kingston near Lewes in East Sussex is where I started my exploration of the South Downs in 2007-2008. It was within walking distance from
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INTRO So, what is the best light for landscape photography?… At the risk of stating the obvious – the title is somewhat tongue-in-cheek. There’s a myriad of conceivable potential landscape scenes, and even more inconceivable ones. All of which are not served equally well by the same kind of light. And if you were to
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Telephoto Landscapes of the South Downs …AND WHAT MADE ME CHOOSE LANDSCAPE While South Downs landscapes taken with telephoto lenses have been a strong foundation of my body of work over the past 15 years, it wasn’t my first “serious” focus in photography. In reality, at the beginning of my photographic journey I never thought
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INTRO Why is landscape photography difficult? Many beginners, and even seasoned photographers specialising in other areas, struggle with landscape photography. Composition is probably the number one cause of their frustration. So often it’s not obvious at all what should be the focus of your frame. You have to create it, craft through your creative choices.
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Why do my landscape photos look flat?… Obviously, photographs are usually flat (unless they’re wrapped around or projected on some curved or uneven surfaces). So, that explains everything… And still, compelling landscape images often exhibit a certain three-dimensional quality. Since the actual scene is represented on a flat surface, the effect must be an illusion
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Case study: a telephoto landscape from conception to editing The image above is relatively old, taken one evening in early June of 2010. But I still quite vividly remember the outing, the decisions I made, and the hurdles I had to overcome. And I’d like to share with you what went into the creation of
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Knowing where to focus in landscape photography is important, and it seems to be an issue that many beginning, or even intermediate, photographers struggle with. We usually want everything in our scene to appear sharp, and depth of field is a finite resource, which needs to used skillfully. I’ll try to explain my approach to
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Why worry about contrast? If you’ve been taking photos for any length of time, you will have noticed that sometimes the camera fails to properly capture contrast in your scenes. Or in other words, sometimes the picture looks more contrasty than the scene did to your naked eye. In extreme cases vast portions of the
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Case study: a seascape from idea to postproduction Everyone has a preferred way of learning. If you like learning by example and analysis of others’ work, and you feel you can improve your seascapes, then read on. As I shall explain in detail how I created the above photo from idea to postproduction. Including all
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